Wandering Wednesday–Camping Hazards near Mt. Liebig

[I have been preparing The T-Team with Mr B: Central Australia 1977 to be ready for publication soon. So, below is an extract from the T-Team’s adventure.

While three of the T-Team faced the perils of climbing Mt. Liebig, a drama of a different, yet equally challenging kind unfolded for Mr. B and his son, Matt as they stayed back at camp.

Extract from The T-Team with Mr B: Central Australia 1977, a prequel to Trekking With the T-Team: Central Australian Safari 1981.]

Bull Meets Mr. B

Mr. B and his son, Matt napped under the shade of a bean tree. A southerly breeze ferried through the dry creek bed, spiriting away the father’s snorts. Matt tossed and turned on his inflatable mattress that was exhausted of air resulting from a small, elusive puncture. He imagined the three others of the T-Team, beating a path through the sweltering heat and stinging spinifex in their quest to the summit of Mt. Liebig. Matt chuckled to himself. “Suckers!”

[Photo 1: Mt Liebig at sunrise with bean tree © C.D. Trudinger 1977]

In a nearby tributary, a bull spied the T-Team’s father, son and daughter trekking in the distance, and stamped its massive hooves in the loose dry sand. Once the family had vanished, the bull trotted towards his stamping ground which possessed a gigantic bean tree as a feature in an otherwise dull bed of dust. His quest was to reclaim his territory that the humans had invaded.

“Matt, ma boy, do be careful. Don’t go too far from camp. A bull might get you.” Mr. B squinted in the direction of distant thumping, then rolled over and resumed snoring.

A monstrous brown hulk loomed through a cloud of dust.

[Photo 2: Resident cattle © L.M. Kling 2013]

Matt bolted upright “Dad! Dad! Th-there’s a big- ugly- brown – ugly- big – brown – ugly – b-b-bull!”

“Aw, Matt, stop kidding me.” Mr. B blinked and rubbed his eyes. “That’s enough of the jokes.” A short rumble from behind sent him scrambling to his feet. He flailed his arms while galloping. “Quick! Into the Rover. Now!”

“But Dad!” In the sweltering heat and moment, the boy froze, glued to his air mattress under the bean tree. Terrified, he witnessed his Dad bound over the dirt and fly into the empty Rover parking space and onto a thicket of spinifex. Matt winced. The massif of angry brown trod closer. It paused, pawing the ground, taunting its human prey.

[Photo 3: Cattle Yard © S.O. Gross circa 1950]

After rubbing his punctured behind, Mr. B scrambled for the tarpaulin and rummaged through the baggage. “Er, d-don’t worry Matt. I-I’ll charge this bull before it s-sh-shoots — er — us.”

“But, Dad, the bull doesn’t have a gun.”

“Well, neither do we, we’ll just have to be satisfied with this boomerang and spear, till I find the damn gun.”

The bull stalked, narrowing the gap. The son clambered up the tree and gasped as his father fought with a rucksack that had entangled his legs, while he waved the pathetic weapons above his head.

[Photo 4: Mr. B wishing his nemesis “subdu-a-bull” © S.O. Gross circa 1945]

“But Dad, they’re only souvenirs.”

“Why Matt, how can you say such a thing? Where do you think these genuine Australian artefacts are made?” With all his effort, Mr. B thrust the spear at the beast.

“Yes, Dad, sold in Australia, but made in China.” Matt watched as the menacing bulk of fury stomped the ground, dust billowing into a cloud around it. “Too bad the bull doesn’t know the difference.”

“Don’t be sarcastic at a time of crisis, son.” Mr. B flung the boomerang at the charging bull and ducked behind the tucker box. The projectile bounced off the bull’s hide, provoking it into a tumult of frenzy. Grunting like an eight-cylinder engine, he stormed towards its human attacker, screeching to a halt at the edge of the tarpaulin. As the bull glared down at him, Mr. B could smell its leathery breath.

[Photo 5: Meanwhile, Mt. Liebig in afternoon and more generous ghost gum © S.O. Gross circa 1946]

With a nervous smile fixed on his face, the father edged his way to the bean tree and climbed aboard. The bull stomped and snorted around the sacred bean tree while its victims trembled in the lofty branches amongst the beans.

From this vantage point, Mr. B spotted the rifle leaning up against the tucker box. Unfortunately, the bull sat between him in the tree and the tucker box.

Hours passed.

Father and son sat in the tree.

“Dad my bottom hurts,” Matt whined.

Mr. B sighed, “The others’ll be back soon. They have a rifle.”

“But Dad! I have to go!”

“Hold on,” Mr. B snapped.

The sun edged to the horizon.

Mr. B bit his lip wondering if he’d be stuck up this tree forever.

“Dad! I really have to!”

Mr. B turned to his son who was now rocking.

The distant hum rang through the golden landscape. Mr. B adjusted his grip on the branch.

The hum became louder. An engine.

The bull rose and sauntered out of the campsite, then disappeared into the bush.

“Just wait, Matt,” Mr. B said. He scrambled down the tree and grabbed the rifle.

Matt’s voice floated down. “Dad, it’s too late.”

As the sun disappeared below the horizon, the rest of the T-Team returned to find Mr. B clutching a rifle and pacing the clearing. Matt remained lodged high up in the bean tree.

“As you can see, while you’ve been climbing your mountain, we’ve had a not-so-welcome visitor,” Mr. B remarked.

[Photo 6: Mt. Liebig at sunset © C.D. Trudinger 1981]

“Somehow, I think the B-family will be taking a guided bus tour next time they go for a holiday,” I muttered to Rick.

© Lee-Anne Marie Kling 2019; updated 2023

Feature Painting: Mt. Liebig in watercolour © L.M. Kling 2017

***

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Trekking With the T-Team: Central Australian Safari 1981,

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And escape in time and space to the Centre of Australia 1981…

Story Behind the Art–Cradle Mountain

[One week remaining of our MAG exhibition at Brighton Central Shopping Centre. So far, a most successful time. Our artists have sold over 56 works and counting.]

Heavenly Hike Around Dove Lake

The pinnacle of the K-T-Y’s (K-Team, the Younger) road trip around Tasmania was Cradle Mountain. I might add here that we’d abandoned my husband (Hubby)in Poatina on a Christian Leaders Training course, while I chauffeured the younger members of our family to the scenic sights in the Central Highlands and East Coast.

So, Sunday January 18, 2009, with Cradle Mountain National Park our goal, we drove the hills, dales, twists and turns. And we fended off near-misses with drivers who apparently didn’t know which side of the road they were meant to be on.

[Photo 1: Our goal to view, Cradle Mountain © L.M. Kling 2009]

Before entering the National Park, we had to buy The Pass. And the K-Team kids took the opportunity to have some lunch at the café in the Visitors’ Centre.

Then another wait on the sealed but narrow road. We watched the procession of cars squeeze past us as they exited the park. The boom gate took what seemed an eternity to rise. I reminded my “lambs” that good things come to those who wait. However, the only positive my 15-year-old Son 2 could muster was more atheistic zeal to preach to his captive audience.

Finally, the boom gate rose, and I ferried the K-Team Young’uns to a highly sought-after carpark. We piled out of the car, sorted out backpacks, and with the sun warming our backs, commenced the hike around Dove Lake. At first, I had to drag a reluctant Son 2 to join us on this adventure, but soon, wooed by the brilliant scenery, he raced ahead to catch up to his older brother.

This time we hiked the opposite way around the lake from the way we did in 2001. Following the well-trodden path, a small lake emerged.

[Photo 2: Small Lake © L.M. Kling 2009]

‘Is this Dove Lake?’ Son 1 asked.

‘I don’t think so,’ I replied. ‘I remember it being bigger than this.’

A sign designated to the pond, confirmed that it wasn’t Dove Lake.

A little further on, we reached the boat house and Cradle Mountain framing the view of Dove Lake. On the shore of pebbles and sand, a photographer perched near his sturdy tripod and SLR camera with telescopic lens, while his wife, long-suffering, sat under a beach umbrella enjoying a novel.

[Photo 3: Boat House, Dove Lake and Cradle Mountain © L.M. Kling 2009]

We continued our trek around the lake. Son 2 ceased his drone about the meaninglessness of life, while Son 1 captured the beauty on the little digital camera I had lent him.

We marvelled at the sun sparkling diamonds on ripples of water.

[Photo 4: Diamonds on the water © L.M. Kling 2009]

I explained that the tannin from the button grass in the highlands caused the rivers to run the colour of tea.

[Photo 5: Rivers of tea-coloured water © L.M. Kling 2009]

A cheeky currawong amused the boys.

[Photo 6: Cheeky currawong © L.M. Kling 2009]

Every few steps, I stopped and took yet more photos of the lake and the mountain towering above.

7.
8.
9.
[Photos 7, 8 & 9: Views along the way: Cradle Mountain (7), Roots (8), and Flower (9) © L.M. Kling 2009]

Even so, time stood still…

Within an hour, the K-T-Y had reached the halfway mark. What a difference eight years make! What took more than two hours in 2001, half the time this time.

[10. Halfway © L.M. Kling 2009]

More magical drifting. See, I wasn’t hiking; the path was easy, the views spectacular. My film camera took over.

Tea-stained ripples by the shore.

[Photo 10: Ripples on shore © L.M. Kling 2009]

The knotted trunks of the emerging rainforest.

[Photo 11: Rainforest edge © L.M. Kling 2009]

‘I’m in camera-heaven!’ I sighed as I caught up to Son 1 who was also clicking away on his camera.

The deep blue of Dove Lake dazzled us.

[Photo 12: Deep blue water © L.M. Kling 2009]

Further on, a passing parade of hikers lead by a tour-guide directed my view to Cradle Mountain through a tangle of vegetation.

13.
14.
[Photo 13 & 14: Cradle Mountain Framed by forest © L.M. Kling 2009]

Then Dove Lake again framed by twisted and thirsty trees.

[Photo 15: Dove Lake framed © L.M. Kling 2009]

A couple approached us. ‘How far?’

I looked at my watch. ‘I don’t know, but we’ve been walking about an hour and a half, so, at least that.’

‘Hmmm, we’ve only just begun,’ the man said and then passed us.

My sons raced ahead, eager with the end of the hike in sight.

[Photo 16: Thirsty Bushes © L.M. Kling 2009]

Dove Lake winked through the trees. Yes, our hike was almost done.

[Photo 17: Almost there © L.M. Kling 2009]

I caught up to the K-young’uns. ‘Took us two hours this time.’

‘Dad’ll never believe us,’ Son 1 said.

[Photo 18: Days end at Deloraine © L.M. Kling 2009]

Over a hotel dinner at Deloraine, the result of the boys needing a “dunny stop” and me not wanting to cook tea that night, we reminisced the tale of two Cradle Mountain trips. And Son 2 had to admit that the hike around Dove Lake this time was not bad. And maybe, just maybe, there was a God who created this amazing world.

© Lee-Anne Marie Kling 2019; updated 2022

Feature Painting (watercolour): Classic Cradle Mountain and Dove Lake (minus the tangle of forest) © L.M. Kling 2009]

NB. This painting of mine is available as an unframed painting at our MAG exhibition at Brighton Central, until October 30, 2022.

***

Want more but too expensive to travel down under? Why not take a virtual travel with the T-Team Adventures in Australia?

Click here on Trekking With the T-Team: Central Australian Safari 1981…

And escape in time and space to Central Australia 1981…

Story Behind the Painting–Northern Flinders

Skint at Arkaroola

[This time, some of the T-K Team step back in time into the Mt. Painter Sanctuary, Northern Flinders Ranges, South Australia; a land offering a glimpse of prehistory…]

Late 1980’s, and my husband and I planned a honeymoon stay in Arkaroola, the town within the Mt. Painter sanctuary, Northern Flinders Ranges. When we arrived, we rolled up to the motel and presented our VISA card for payment.

[Photo 1: Approaching Mt. Painter Sanctuary, Northern Flinders Ranges © L.M. Kling 1987]

‘Oh, I’m so sorry,’ said the manager, ‘we don’t take VISA. Only MasterCard.’

‘What?’ But we were counting on our VISA to cover the costs.

We scraped together the cash amount for the three-nights of accommodation and emptied our wallets of all but a few notes. Romantic dinners in the restaurant, off our menu. The longed-for Ridge-Top Tour, off our track. Then cold hard panic struck, how were we to pay for petrol when we returned to Adelaide? The amount in our tank, Dad’s four-wheel-drive vehicle that he loaned us for the holiday, may not last the journey back to Hawker. All because the town in which we chose to spend our honeymoon, was so remote, they did not deal in VISA.

[Photo 2: Cornflakes for breakfast © L.M. Kling 1987]

We sat on our motel bed and counted our measly amount of cash. What were we going to do? It’s not like I hadn’t gone without before—on the T-Team with my Dad. Being like-minded and frugal, we dealt with the disappointment, and decided we’d cook our own meals using the barbecue facilities and not venture too far from the town. Besides, there were plenty of places to which we could hike.

[Photo 3: Hiking up Radium Creek searching for titanite © L.M. Kling 1987]

I took a deep breath and picked up the book our pastor had given us as a wedding gift. Inside the front cover I discovered an envelope. ‘I wonder what this says,’ I said to my husband.

I took out the card and opened it. An orange-coloured note fluttered onto the floor. I picked it up. ‘Hey, look! Twenty dollars.’ I waved the note in my husband’s face. ‘Twenty dollars! Pastor must’ve known we’d need the money.’

‘I think God did,’ my husband said. ‘Twenty dollars makes all the difference.’

‘Can we do the Ridge-Top Tour?’

‘Um, perhaps not that much difference.’

‘Dinner at the restaurant?’

‘Maybe, but we still need to watch our spending.’

I sighed. ‘I know.’

[Photo 4: Dinnertime Hill © L.M. Kling 1987]
[Photo 5: Towards sunset on Mt Painter Sanctuary mountains © L.M. Kling 1987]

In the restaurant, and eating the cheapest meal offered, I spied a photo adorning the wall behind my beloved. A waterhole with red cliffs on one side and cool but majestic eucalypt trees on the other side. ‘Echo Camp,’ I read. ‘I want to go there.’

‘Hmm, not sure, if we have to drive far.’

‘Oh, please.’

‘We’ll see.’

[Photo 6: Radium Creek © L.M. Kling 1987]
[Photo 7: Nooldoonooldoona © L.M. Kling 1987]

A couple of days passed, and we’d exhausted all the nearby scenic sites to which we could hike. We decided to drive up the road, but not too far.

I spotted a sign to Echo Camp, and not-too-many kilometres off the “main” road. My husband noted that the track was only for “authorised” vehicles.

‘That’s not fair,’ I said. ‘They shouldn’t tempt us with scenic places like that in the restaurant and then deny us because we’re not “authorised”.’

[Painting 1: Track to Echo Camp © L.M. Kling 1987]

He who was driving, turned into the track. ‘You’re quite right. Ready for some adventure?’

‘Okay, well, it says Echo Camp’s only a few kilometres down the track.’

My husband drove up and down the track. It soon became obvious why the track was meant for “authorised” vehicles. But we were committed, and the track became so narrow, with one side rocky cliffs and the other sheer drops, we had no choice but to lurch forward, upward, downward, sideways and every-which-way. While I clutched the bar on the dashboard, my husband had fun, relishing the roller-coaster ride to Echo Camp.

We reached a relatively flat area where we parked our four-wheel drive vehicle. The Painter Sanctuary mountains rose and dipped like waves before us. A feast for the eyes with shades of sienna, blue and mauve. I captured this beauty with my Nikon film camera.

[Painting 2: Vista of the Sanctuary © L.M. Kling 2019]

‘By the way, where’s Echo Camp from here?’ I asked.

‘Just around the corner, I think.’

‘How many kilometres have we travelled?’

‘More than the sign said, but it can’t be far.’

‘I get the feeling we missed it on the way here.’

My husband nodded. ‘I think we did. There was a fork back there, but I wasn’t sure. And the angle was too sharp to turn down.’

‘Better check out that track.’

[Photo 8: Sun fast sinking on secret sanctuary © L.M. Kling 1987]

We back tracked and found the way leading to Echo Camp. By this time, the sun hung low in the sky, so our time savouring Echo Camp was limited to no more than half an hour, wandering near the rock pool, taking photos, and enjoying the peace and silence of this land untouched by civilisation, and reserved for the “authorised” apparently.

Aspects of Echo Camp

[Photo 9: Our trusty Daihatsu Four-wheel drive © L.M. Kling 1987]
[Photo 10: Reflections in the billabong © L.M. Kling 1987]
[Photo 11: Echo Camp © L.M. Kling 1987]

Then, after braving the roller-coaster road again, we crept out from the contraband track, and back into town.

[Painting 3: Echo Camp © L.M. Kling 1990]

***

My most recent painting of Arkaroola landscape, Dinnertime Northern Flinders is for sale at the Marion Art Group exhibition at Brighton Central. You can also check out my work on the Gallery 247 website.

Marion Art Group’s exhibition (first in three years) is to be held from Monday October 17 to Sunday October 30, Brighton Central, 525 Brighton Road, Brighton, South Australia.

© Lee-Anne Marie Kling 2016; updated 2019; 2022

Feature Painting: Dinnertime Northern Flinders Ranges © Lee-Anne Marie Kling 2018

***

Want more but too expensive to travel down under? Why not take a virtual travel with the T-Team Adventures in Australia?

Click here on Trekking With the T-Team: Central Australian Safari 1981…

And escape in time and space to Central Australia 1981…

Story Behind the Art–Cockling at Goolwa

[After a three-year hiatus between exhibitions, Marion Art Group will hold an exhibition at Brighton central shopping Centre (Brighton Road, South Brighton) from October 17-30, 2022.  One of my artworks to be displayed, Cockling at Goolwa in Pastel revisits the K-Team’s journey down “memory” highway, 100-kilometres south of Adelaide to Goolwa Beach on the far-flung edges of the Fleurieu Peninsula. Remembering our time with friends 20-years ago searching for cockle shells in the sand.]

Cockling at Goolwa

A picture, they say, tells a thousand words. So, what is Cockling at Goolwa’s story? How can the simple heel-toe dance of “cocklers” (people who dig for cockle shells), their feet sinking in soggy sand of the in-coming tide, in the flux of early summer warmth, on a remote beach south of Adelaide tell us? What story worth a thousand words? What was it about this scene that attracted me to capture it? First in photo and then several years later, on canvas in acrylic, and recently in pastel.

*[Photo 1: Cockling at Goolwa © L.M. Kling 2002]

I think the water reflecting the sky, all silver, the people on the wet sand, a mirror, swaying and twisting for cockles captured my attention. I’d been there, on the glassy surface, watching for bubbles, grinding my heel into the bog, feeling for the sharp edges of shell and plucking out the cockles that snapped shut when exposed to air.

*[Photo 2: Dad Digging for the cockle © L.M. Kling 2002]

I was there, but then I watched. Mothers, fathers, and children lost in the moment of twisting and hunting and collecting cockles.

*[Photo 3: Lost in the moment © L.M. Kling 2002]

‘What will you do with all those cockles?’ I asked.

‘They’re for fishing,’ one of our friends said. ‘Bait for fish.’

‘Hopefully, we’ll catch a few fish and have them for dinner tonight,’ another said.

I imagined fish, fresh from the sea, thrown on the barbeque and the cockle bait inside them buried once again in our stomachs. We continued digging for cockles…family and friends, one with the ancient, outside time—nothing else matters but the cockles.

*[Photo 4: Goolwa beach Lost in time © L.M. Kling 2002

]

Goolwa, if I remember, has mounds of spent shells in the sand hills, monuments to generations upon generations of Indigenous Australians, their open-air kitchens and meals. Did they perform the same ritual, on the same patch of wet sand, delving for cockles to fry on their fires? A quick perusal of Google reveals they used nets to collect cockles and catch fish. They then cooked the cockles on a campfire.

*[Photo 5: Goolwa beach sunset © L.M. Kling 2002]

We are here, they are gone, but their spirit of history lingers, reminding us, though we seem different, we are the same. We are digging, dancing and delving for our dinner. We are still, in the moment, alone in our thoughts in a forgotten corner of the world, unknown by the world, yet one with this country’s past. And God knows each one of us—each part of us, even the unknown parts of ourselves and our secrets.

*[Photo 6: Divine painting of sky and sea © L.M. Kling 2002]

What if I shared a little secret—an artist’s secret? Okay, I’ll tell you. I painted this picture in less than two hours. Now, that I’ve told you, would the painting be worth less to you? Must time be equated with worth? Sometimes I do take hours upon hours, layers upon layers, and more hours planning to get the work right. But not Cockling at Goolwa.

*[Photo 7: The natural child © L.M. Kling 2002]

I love the beginning of a painting; laying the foundation, engaging my inner-natural child, the paint flowing from a thick brush on a damp canvas, colours blending, mixing as I go. One side of the brush crimson, the other blue and a dab of white. Sienna somewhere there in the foreground shadowing the sand. Mid-yellow added incrementally to shroud the distance in light grey for perspective. Then just a hint of heads of land jutting out halfway across the horizon with a suggestion of ultramarine in the grey. So simple, and sometimes, like with Cockling at Goolwa, the scene emerged before my eyes. In the world of artists, I believe the term “magic brush” or “magic hand” has been used. Um, trade secret, so don’t go spreading it around.

So, there you have it, in less than an hour, surf, sand, sky and tones in all the right places.

*[Photo 8: Boogie-board Surfing at Goolwa beach © L.M. Kling 2002]

Now for the people, the twisting, turning people, their feet in the boggy sand. How do I paint them? I had a break and drank a cup of tea. I remember not all the children hunted for cockles. Some kids body-surfed in the shallows, some played cricket and one little boy with a wish to be hunted, or to be warm, buried all his body except his head in the sand. I found him and he broke out of his sand-grave, the sand zombie.

*[Photo 9: Sand-zombie © L.M. Kling 2002]

‘Don’t go tracking your sandy footprints into the shack,’ I said.

He washed himself off in the surf, then sat wrapped in a towel and shivering in the sun while watching the cockle hunt.

All the while the “cocklers” cockled for cockle shells. Soon the boy joined the hunt for cockles.

Then when the paint was dry, I plotted the people in with pencil and then painted them in with a finer brush.

‘I like that painting,’ a fellow member of the art group said. ‘Don’t do another thing to it. Don’t even frame it. I’ll buy it as it is. How much do you want for it?’

Paint barely dry, I took the work home, signed it and then the next week at our Christmas lunch, I delivered Cockling at Goolwa to them. The buyer showed the work to others at their table and all admired it.

[Photo 10: Watching the cocklers © L.M. Kling 2002]
 

What made another person connect with Cockling at Goolwa? For this person, their son and family spent many summer holidays at Goolwa, doing just that, cockling. Time out, out of time, unwinding, relaxing, happy times, happy memories, captured on canvas…in less than two hours. And I must admit, the story is slightly less than one thousand words.

But, perhaps as you look at the copy of Cockling at Goolwa, you may have a story of your own about the painting. Maybe a painting’s story is not just one person’s story, but stories from many people, one thousand words, or more…

© Lee-Anne Marie Kling 2016; updated 2019; updated 2022

*Feature Painting: Cockling at Goolwa in Pastel © L.M. Kling 2022

***

Longing for more travel adventures?

Dreaming of exploring Australia?

Read the T-Team’s Aussie adventures, click on the link below:

Trekking the T-Team: Central Australian Safari 1981

T-Team Series–Standley Chasm (Angkerle Atwatye)

[While painting this scene of a group of older men gathering to admire the glowing walls of Standley Chasm, I was reminded of the T-Team’s trek in 1977 with Mr. B. This wealthy man used to comfort and luxury, took on the challenges of roughing it camping with the T-Team. This stunning chasm is about 50km west of Alice Springs and is one of the first of many beautiful sites to visit in the MacDonnell Ranges.]

The T-Team With Mr B (26)

Mr. B slowed the Rover and eased it into a park joining the line of cars, land rovers, and buses awaiting their owners’ return. The T-Team piled out of the Rover and in single-file, followed Dad along the narrow track heading towards Standley Chasm. In the twists and turns of the trail that hugged the dry creek bed, I spotted ferns in the shadow of rock mounds the colour of yellow ochre, and ghost gums sprouting out of russet walls of stone. Hikers marched past us returning to the car park.

*[1. Photo: Path to Standley Chasm © L.M. Kling © L.M. Kling 2013]

‘G’day,’ they said. ‘Well worth it.’

Dad checked his watch and quickened his pace.

I ran to catch Dad. ‘Have we missed out?’

‘We better hurry,’ Dad snapped.

A leisurely short stroll became a race to the finish as we struggled to keep up with Dad; scrambling over boulders on the track, squeezing past more tourists going to and from the chasm, Dad snapping and cracking the verbal whip, and Mr. B moaning and groaning that “it’s not for a sheep station”.

*[2. Photo: Ghost gum and ferns on way to Standley Chasm © L.M. Kling 2013]

The crowd thickened, stranding us in a jam of people, fat bottoms wobbling, parents hauling their whinging kids, and men clutching cameras to their eyes for the perfect shot. Dad checked his watch and then shifted the weight from one foot to the other.

‘Are we there yet?’ I asked.

Wrong question. Especially when asking a grumpy Dad.

‘Not yet!’ Dad barked.

‘I reckon we’re not far away,’ I said. ‘All the tourists have stopped. Must be some reason.’

Dad screwed up his nose. ‘I dunno, it doesn’t look right.’

‘Excuse me! Excuse me!’ Mr. B, one arm stretched out before him, parted the sea of people and strode through.

We followed in Mr. B’s wake and within twenty paces, there it glowed. Standley Chasm. Both walls in hues of gold to ochre. Dozens of people milled around its base.

*[3. Photo: No quite the right time but still awesome: Standley Chasm © L.M. Kling 2013]

Dad gazed at the chasm, and then squinted at the position of the sun. ‘It’s not there yet.’

‘How long?’ I wanted to know.

‘Not long, just wait.’ Dad paced towards a white gum that bowed before the grand wonder of the chasm.

‘Wait! I’ll take a photo of you,’ I said.

‘Do you have to?’

‘Why not?’

‘We might miss the walls turning red.’

‘They turn red that quickly?’

Dad leaned up against the tree. ‘I s’pose not.’

I dug out my instamatic camera and photographed my grumpy Dad.

*[4. Photo: While we wait, a grumpy Dad before the chasm © L.M. Kling (nee Trudinger) 1977]

Then we waited. The tourists snapped their shots and then filtered away.

‘When’s it going to turn red?’ I asked for the fourth time.

‘Be patient,’ Dad said.

‘This is boring,’ Matt mumbled.

‘Let’s see what’s the other side.’ Richard tapped Matt on the arm. The two lads scrambled over the rocks and I watched them hop from one boulder to the next over a small waterhole.

*[5. Photo: The rocks’ reflection, Standley Chasm © L.M. Kling 2013]

Dad paced from one wall to the next while Mr. B photographed Standley Chasm from every angle.

*[6. Photo: The ideal image; Standley Chasm © S.O. Gross circa 1950]

I watched mesmerized by the sunlight playing on the walls. They turned from a russet-brown on one side, gold on the other, to both glowing a bright orange. But by then, most of the tourists had left, thinking the Chasm had finished its performance for the day.

*[7. Photo: Well worth the wait; Standley Chasm, just perfect © L.M. Kling (nee Trudinger) 1977]
*[ 8. Painting: Dad’s Standley Chasm in watercolour © C.D. Trudinger circa 1959]

As the other wall turned in hue to sienna, Mr. B packed his camera in his leather case and stood back admiring the view.

‘Get some good shots?’ Dad asked.

‘I reckon I did.’ Mr. B patted his camera bag. ‘You know, once the crowds thinned out, I reckon I got some good ones.’

‘Ah, well, I’ve seen Standley Chasm put on a better show in the past.’ I think Dad was trying to justify not having a functional camera.

‘Well, I enjoyed it,’ I said. ‘This place is amazing!’

[9. Photo: Standley Chasm mid-afternoon; still the same perfect light 36 years later © L.M. Kling 2013]

Dad patted me on the back. ‘Ah! Lee-Anne, you haven’t seen anything yet. Wait till you see Ormiston Gorge.’

‘By the way, where are tha boys?’ Mr. B asked.

‘Looks like we have to be patient and wait for them now.’

‘I hope your son doesn’t get ma boy lost.’

Dad laughed. ‘No worries. There they are, just the other side of the chasm.’ He waved at the boys.

Richard and Matt scrambled through the chasm to join the T-Team on the hike back to the Rover.

[10. Photo: Actual photo of men admiring StandleyChasm © L.M. Kling 2013]

© Lee-Anne Marie Kling 2016; updated 2018; 2022

Feature Painting: Men Admiring Standley Chasm © L.M. Kling 2018

***

Want more? More than before?

Binge on True Aussie Adventure with the T-Team in my book available on Amazon and in Kindle.

Click on the link below:

Trekking With the T-Team: Central Australian Safari 1981

Choice Bites–Minna

As I developed my characters from the War against Boris series, stories began to emerge. Here’s one of them.

THE CHOICE: MINNA

One of those summer days doused in grey…I ride my bike to the beach to collect shells. As I comb the surf-soaked sands, a man’s voice snaps me out of the zone.

‘Found anyone interesting?’

‘Nup, no bodies,’ I murmur.

‘That’s a shame, a nice looking lady like you.’’

I fix my sight on shards of shell and ignore him. Hate those pickup lines.

‘Oh, what’s your problem? I’m not going to bite.’

I glance at him—had to see what creep I’m dealing with. Pale, pock-marked face, thirties and just a little taller than me at 165cm. In a grubby white t-shirt and brown trousers. “Never trust a man who wears brown trousers,” my school friend Liesel always said.

‘Come on, dear, just a little conversation. Tell me, what do you want more than anything in the world.’

I shrug. ‘To leave me alone.’

‘Tell you what, you tell me and I’ll leave you alone. Deal?’

I push my bike faster trying to escape this man, but he follows me.

‘I promise, I’ll leave you alone—just tell me.’

Hopping on my bike I announce, ‘I don’t talk to strangers.’

‘I’m not going to hurt you. I bet, I bet you’re one of those girls who wants to get married, have a family. That’s what you want more than anything.’

‘If you say so, now leave me alone,’ I say and then speed from the creepy little man with his creepy questions.

‘Your desire will be arranged,’ he says as I splash my wheels through the water. He then shouts, ‘But, I might add, there will be a price.’

‘Sure, sour grapes,’ I mumble. Then pumping the pedals, I sail along the damp-packed sand where the waves meet the shore.

Then, near the ramp and having to cross sand too soft for bike wheels, I glance behind before alighting.

The man in brown trousers is gone…

A short story from another project relating to that alien cockroach, Boris, “Choice Bites© Lee-Anne Marie Kling 2016, updated 2022

Painting: Sellicks Beach—where Mission of the Unwilling begins © Lee-Anne Marie Kling 2015 [Mixed media]

***

Want More?

More than before?

Read more on the war against the fiend you love to hate; an overgrown alien cockroach, Boris.

Click on the links below:

The Lost World of the Wends

The Hitch-hiker

Mission of the Unwilling

T-Team Series–Mustering Conversation

The Parrot of Curtin Springs

  [Extract from The T-Team with Mr B: Central Australia 1977, a prequel to Trekking With the T-Team: Central Australian Safari 1981.]

The T-Team with Mr B In 1977 Dad’s friend Mr Banks and his son, Matt (not their real names), joined Dad, my brother (Rick) and me on this journey of adventure. I guess Dad had some reservations how I would cope… But it soon became clear that the question was, how would Mr B who was used to a life of luxury cope?

This time Dad promises Mr. B rabbit stew for dinner.

Rick and I scrambled off the Rover’s roof-rack.

‘Race ya to the birds,’ I yelled and then ran down the side of the Curtin Springs store to the aviary.

Rick and Matt raced past me. ‘Beat ya!’ Rick called back.

The parrot squawked. ‘G’day mate!’

Matt laughed and said, ‘Hey, you got the bird to talk, Rick.’

‘Aren’t I clever,’ my brother said.

‘How did you do that?’ I approached the cage. ‘G’day mate.’

The parrot cocked its head.

In a falsetto voice, I said, ‘Hello cocky.’

The bird bobbed its head.

The boys laughed.

I persisted in a high-pitched tone. ‘Polly wants a cracker?’

The bird ambled over to me and then bit the wire of the cage, its blue tongue thrusting out its beak.

*[Photo 1: White cockatoos abound all over Australia. Here’s some in Sturt Gorge near my home. © L.M. Kling 2018]

‘Hello cocky,’ I sang.

The bird stopped nibbling the wire and then clawed its way along the cage away from me.

‘You just don’t have the touch,’ Rick said.

Matt sniggered.

Dad, his thumbs hooked in the belt loops of his trousers, strode up to us. ‘How about a soft drink? My shout.’

Rick shouted, ‘Soft drink!’

‘Ha! Ha!’ Mr. B who stood behind Dad, clapped. ‘Very funny!’

The parrot screeched. ‘G’day mate!’

*[Photo 2: White cockatoos close-up © L.M. Kling 2018]

I glared at Rick. ‘How did you do that?’

‘I have the touch,’ Rick said.

Dad marched into the store. A few minutes later, he emerged cradling five cans of lemon flavoured soft drink. ‘The petrol’s cheaper here than at Ayres Rock. And so is the steak. It’s from the cattle they have on the station.’

*[Photo 3: Cattle like these but near Gosses Range © L.M. Kling 2013]

The parrot cocked its head and watched us guzzle our drinks.

Rick wiped the sticky drops from his chin and sighed. ‘Ah, a real man’s drink!’

Dad licked his lips and then held up his finger. ‘You wait here. I won’t be long.’

We watched Dad disappear through the store door.

Mr. B raised his hand to his mouth, then after a discreet burp, he muttered. ‘No chance of egg soup tonight, I hope.’

I turned to the parrot. ‘G’day mate.’

The parrot squawked.

‘You just don’t have the touch,’ Rick said.

Matt giggled.

*[Photo 4: The Parrot of Curtin Springs (somewhere in the cage) and me © R.M. Trudinger 1977]

Dad returned, this time carrying a baby-sized packet wrapped in white butcher’s paper. ‘The Rover’s been fed, and we’ll have a feed tonight.’

‘That better not be eggs and soup,’ Mr. B snapped.

Dad pursed his lips as if some bird he’d swallowed was about to burst out. ‘Rabbit. I bought rabbit for stew. There’s lots of rabbits around these parts.’

‘What?’ Mr. B’s face flushed crimson. ‘I thought you were going to buy steak.’

Dad did that kissing motion with his lips and then in a level voice said, ‘Rabbit steak. It’s cheap.’

Rick turned away from Mr. B’s line of sight and wheezed with suppressed giggles.

The parrot flared its crest and screeched. ‘G’day mate.’

‘You did it again!’ I cried.

Rick snorted and laughed.

‘What’s so funny?’ Mr. B asked.

Dad patted Mr. B’s back. ‘It’s steak, mate. Beef steak. The best you’ll get around these parts. Curtin Springs runs a cattle station, you know.’

*[Photo 5 & 6: Rounding up Cattle in Central Australian Cattle Yard © C.D. Trudinger circa 1955]

‘You had me going there, for a while,’ Mr. B said.

‘Huh?’ I looked from Dad, to Mr. B, and then to Rick. ‘But you said, we’re having rabbit stew.’

‘Dad was joking, but we could shoot some rabbits or birds at Palmer River, if you don’t want steak,’ my brother said.

The parrot glared at Rick. ‘What?’

‘You did it again!’

© Lee-Anne Marie Kling 2016; updated 2018; 2022

 *Feature Painting: Mustering Cattle © Lee-Anne Marie Kling 2014

[Curtin Springs, 100 km east of Uluru, still operates as a cattle station. Its owners, the Severin family, have been running the station since 1956.]

***

Read more of the adventures of the T-Team in my memoir, Trekking with the T-Team: Central Australian Safari 1981 available on Amazon and Kindle.

Check it out, click on the link below:

Trekking With the T-Team: Central Australian Safari 1981

Monday Musing–Be Still

BE STILL

I go to the shops as I do every second day. At the checkout, the girl asks, ‘And how has your day been?’

‘Busy,’ I say.

‘That’s good,’ the girl says with a sage nod as if involved in some conspiracy to keep me on the hamster wheel of busyness.

In the Twenty-first century world “busyness” is good. Not being busy, then, is undesirable. Our Western Protestant work ethic touts, ‘Idleness is the devil’s workshop’. The state of “idleness” is to be avoided at all costs. These days, we equate idleness with boredom.

‘I’m bored,’ say your children (so did mine, when they were children many years ago, back in the good ol’ 1990’s), and terror strikes at the heart of each mother when they hear these words. Bored? We can’t have our children bored—idle—just imagine what devils will come to play if we allow boredom to fester. First, the grizzling, then, the niggling at each other, and before long, World War Three amongst the siblings and the house ends up looking like the Apocalypse.

*[Photo 1: The computer, the answer to all who cry, “I’m bored!” © L.M. Kling 2007]

No, we can’t have boredom.

So, in my quieter times now, I reminisce the days as a young mother, structuring each day, every hour—especially during the holidays, to avoid boredom—any strategy to avoid my tribe from becoming restless.

‘What’s wrong with a bit of boredom,’ my mother would say. ‘They need to learn to entertain themselves, you know, use their imagination. Nothing wrong with being still for a while, I say.’

Mum should know, she grew up in the Centre of Australia on a mission in the 1940’s and ‘50’s. Those were the really good ol’ days with no shopping centres, no electronic games, nor television. They did have radio, but her minister father only allowed the news to be heard from it. Heaven forbid they listen to modern music. During the War, even the radio was confiscated by the allies. So all my mum as a girl had to entertain herself were books. Even so, the Protestant work ethic was a major value in mum’s family as her mother, when she found her daughter reading would say, ‘Isn’t there some housework you should be doing?’

*[Photo 2: In the good ol’ days, being productive. Making kangaroo-skin rugs © S.O. Gross circa 1940]

As expected, then, I grow up in a world that values industry, productivity and filling each day to the full. The schools I attend are hot on producing good grades, projects and students who go on to university and become wealth-producing citizens.

Then, at sixteen, I have a revelation. We sing a chorus at church, “Be Still and know I am God”.

Being still…forget the homework…forget the housework…put aside my racing head of worries…centre my thoughts on God and his greatness. Pause for a moment and remember, God is God and He’s in control.

So at sixteen, I do just as the chorus bids. I hop on my deadly treadly (bike), and pedal down to the beach. I figure that’s the best place to be still; the waves lapping the sand, the sun on my back as I comb the shore for shells. Or on a sunny afternoon, I lie in the backyard and sunbake, think and ponder.

*[Photo 3: Entertainment of Seal, Glenelg South © L.M. Kling 2022]

The result? Wow! Those mountains? School and pedantic teachers going on about uniform—my socks, my hair? Boyfriends or lack of them? Life and my future? …All my concerns become molehills.

December 1979, I write a poem “Be Still”. Perhaps not the greatest work of literature, but the values stick with me…until I embark on university, work, and then a family. The poem hides in a book of my teenage missives. Ten years ago, I pull it out for a devotion. I preach being still, but I fail to apply the principles. I must keep busy. If I stop, even for a few minutes, what will others think? There’s just too much to do. Everyone’s depending on me as wife, mother, bible study leader, committee member …to produce the goods. I can’t let them down.

The culture to keep moving is ingrained. Go to meet people for the first time and they ask, ‘What do you do?’ The doing has to have a dollar sign attached to it. Not enough to do all the above as a mother. Must produce money to have status in the group. Without status, I am not heard. Ironic how the under-valued creative arts of writing and painting, though, afford status. I am creating. I am producing.

*[Painting 1: Life after Lock-down, Port Willunga © L.M. Kling 2020]

Even so, in this creative phase of my life, if I stand still, I feel guilty. Now, there are novels to write and art to produce. My “work”. I’m on the hamster wheel, but I can’t get off.

However, in all the busyness expected of me, the cogs of my life are unravelling. I drive to a cafe to meet a friend. She’s not there. I’d forgotten my mobile phone. I drive the thirty-minute return home and check my phone and then ring her. I’d gone to the wrong place. A misunderstanding. If I had taken the time to listen and ask the right questions…

The voice of my sixteen-year-old self still convicts me. ‘Be Still’.

For over forty years, I’d not been following my own advice. After the misunderstanding of the other day, I give myself permission to have time each day to rest…Time to be still…time to know God.

*[Painting 2: Sleeping Beauty on Huon, Tasmania © L.M. Kling]

So in the voice of my sixteen-year-old self, the poem:

Be Still

Exhausted, yet restless to advance

Ever onward in a trance,

A weary traveller

Refused to look around

So lost the intimate beauties which could be found.

Be still,

And know God the eternal creator.

Furtive, frustrated, fraught we flee,

When confusion bears down on thee,

A weary traveller.

Failure looms, chaos glooms,

In life, this lonely room.

Be still,

And wing your eyes

To soar above the clutter.

Marvel at the vastness of creation

Where God lies.

If what we infinitely fear

Will produce a lonely tear,

Of a weary traveller,

We blind ourselves with sorrows

Clinging to illusions of good morrows.

Be still,

Capture destiny in your heart,

For God said, “Let it be”.

See the beauty of it’s part.

Learn from what it has to offer

Ignore the scoffer.

A weary traveller did relent,

When Jesus was sent.

Be still,

While He,

Our hungry souls will fill.

© Lee-Anne Marie Kling (nee Trudinger) 1979

© Lee-Anne Marie Kling 2016; updated 2022

*Feature Photo: Cradle Mountain, Tasmania © L.M. Kling 2009

***

If you’d like to polish your writing skills or find out more about our new project, a self-publishing collective, click on the link to Indie Scriptorium

Or…

Catch up on the exploits of Boris the over-grown alien cockroach, and Minna and her team’s attempt to subdue him.

For good holiday reading click on the links below…

The Lost World of the Wends

The Hitch-hiker

Mission of the Unwilling

Or…

Join the Journey, click on the link below:

Trekking with the T-Team: Central Australian Safari

Tuesdays with Carol–Good Storytelling

Having both studied English at university, the subject that comes up often when visiting Carol is about all things writing and what makes a good story. So, one of my first blog posts came to mind…to encourage and inspire all of us who are writers.

Writers’ Privilege

‘Writing is a lonely craft,’ my university tutor said.

All of us in the group nodded and I thought: Yes, a writer has to hide away in their study clacking away on their typewriter. They have to concentrate. Those were the days back in the 1980’s…

I recalled as a student, hours locked up in my bedroom, writing my essays, trying to concentrate while my family went about their business, stomping in the passageway, dishes clattering in the kitchen and the television blaring in the lounge room. Not to mention my dear brother lifting weights, and dropping the things with the inevitable clunk and thud, in the lounge room. Did I mention trying to concentrate? Yes, trying, but not succeeding. And even now, as I write this blog, can’t go five minutes without interruptions. These days, though, I write my first draft, by hand, in a quiet place at a quiet time, and then I write this blog on the computer as a second draft.

Suffice to say, the statement by my tutor all those years ago, has an element of truth. And compared to being an artist or musician, writing is a lonely craft. I belong to an art group and enjoy going each week as the hall is filled with happy chatter and my fellow artists are friendly and welcoming. And I can imagine a musician, mostly has to play and sing with others in a band, their craft has to be performed to an audience. The lonely parts of a musician’s life, from my observation, is the process of composing music. Although, many musicians collaborate when they jam together and create new songs together.

[Painting and Feature: Alone Sellicks Beach (watercolour) © L.M. Kling 2016)

On reflection, though, my experiences over time with the process of writing as isolating, no longer resonates with me. I don’t write alone. I have my characters. I go into their world. Call me crazy, but it’s like when I was a child and had imaginary friends. Come to think of it, perhaps because I was lonely, I became a writer. Figures, hours after school, on weekends and holidays to fill. There’s only so many hours my brother, five years older than me, would share with me playing games. And friends, too weren’t with me all the time. So, books became my friends, as well as characters in the world of fantasy I conjured up. I swooned away, sitting in my cubby house, and whole days drifted by in my other life of fiction, science fiction.

As I grew up, I became used to my own space. My loneliness transformed into the joy and peace of being alone. Time to think and explore ideas, the “what if’s” of life’s path, stories of people I’ve met, my story, and also the stories of my characters. Time to express these stories, writing them down. Many of these stories remain hidden in my journal, a hand-written scrawl; a mental work-out, sorting out ideas and emotions. Some make it to a Word File on the computer, others a blog post, and a few hundred pages have ended up as works buried on the shelves of Amazon—self-published but published all the same. And for six years, now, there’s my blog, again mostly hidden in the blog-pile of the world-wide web, but more visible today than in 2015 when I started the blogging journey.

Yet, once I’ve written the first draft in quietness and peace, the craft of writing becomes a collaborative process. Good writing needs feedback, editing and proof-reading. An effective piece of work needs a second, third and numerous sets of eyes, and many minds to weed the “gremlins” that beset the plot, content, and pacing. And a keen set of eyes to comb through the text to pick up grammar and spelling issues. The computer’s spell and grammar check are not enough.

[Photo 1: Miyajima Monkeys a-grooming © L.M. Kling (nee Trudinger) 1985)

I love to go to writers’ group. I heard someone on radio say that reading is the ultimate empathy tool. When we read, we enter into another’s world and how they see the world. Exploring another’s world—how much more social can one get? This is what happens at writers’ group. We share our own world through our writing, and we explore other writer’s world as we listen to each other’s stories; a privilege and an honour to be trusted with these gems. As fellow writers we need each other to hone our skills as a writer. We need each other’s feedback. How else will we refine our craft without feedback?

Still, there is an aspect of writing that makes it a lonely existence. As writers we are modern-day prophets, proclaiming words given to us, believing these words can and will make a difference in another’s life. Hoping, the change will be for good. The word is a powerful tool; a double-edged sword. God’s Word is described as a double-edged sword. (Hebrews 4:12) There’s a saying that sticks and stones can break bones, but words cannot hurt me. Not true. Words can hurt. Words can also heal. Spoken words can sting or soothe, and then are gone, but the written word can endure and have power. People believe something is true because it’s in print. Reputations have risen and fallen on the power of the written word.

The printing press revolutionised the fifteenth century. Imagine words once written and hidden in some monastic library, then with the advent of the printed word, being duplicated and spread, and even appearing on church doors, for all to read. In our times we have witnessed the evolution of the power of the word through the internet. Need I say more—the gatekeepers of the past, by-passed, allowing all who are wanting to have a voice, freedom of written expression.

However, with freedom and power to influence, comes responsibility to use our gift and passion to write wisely and for the good of others. As a writer, I have written with good intentions to help others grow, help others see the world differently, change attitudes and effect a positive change in the world. Even so, my good intentions posted on my blog may have affected others in ways I didn’t intend. So, I have an understanding now what it means that writing can be a lonely craft as there will always be someone who doesn’t see the world as I do and may find my public interpretation of life offensive. My voice in the world-wide wilderness of the web may actually alienate me from others. So, I’m back where I started as a child, alone, with time and space to explore my world of fantasy with my characters as friends.

[Photo 2: Shikoku Sunset © L.M. Kling (nee Trudinger) 1985]

I guess that’s why I’m drawn to write. With fiction, it’s out there, it’s fantasy and it’s a safe platform to explore ideas, issues and ways of looking at the world, the other world of “what-ifs”, that help readers open their minds to investigate alternative attitudes and create discussion. And with fact through my travel memoirs, sharing my life and worldview, joys, challenges and faith. Through this process, I hope to bring goodness and personal growth to all who are willing to join in the journey into my world.

© Lee-Anne Marie Kling 2016; updated 2020; 2022

[Painting and Feature: Alone Sellicks Beach (watercolour) © L.M. Kling 2016)

***

Catch a Free ride with the T-Team…

One more day until Wednesday May 11

Longing for more travel adventures? Dreaming of exploring Australia?

Read the T-Team’s Aussie adventures, click on the link below:

Trekking the T-Team: Central Australian Safari 1981

***

Or if fiction is more your thing

Read more, and lose yourself in this tale where the nineteenth century meets the twenty-first…

Click on the link,

To download my novel

The Lost World of the Wends

Or…

Or discover how it all began in The Hitch-Hiker

And how it continues with Mission of the Unwilling

Tuesdays with Carol–Tulips

Of Impressionists and Tulips

With Covid still hanging around Carol’s place and wearing out its welcome, I have drawn on a past Tuesday with Carol.

A few weeks ago, I revisited the tulip field muse. Carol and I like the Impressionists style. We had lots of fun playing with the blend of colours and keeping our paintings loose.

My past efforts painting these tulips at the Canberra Floriade, in watercolour and acrylic, have been less than impressive. Those paintings have ended up filed away in the drawer of no return or cut up and pieces used for cards.

But I’m happy with this piece. The difference, a bit of artistic license by putting a windmill in the picture and less tulips. It’s all to do with composition.

On a different note, but related, a couple of friends and I have been working on a community project—a publishing collective. We have called this endeavour, Indie Scriptorium. If you would like to find out more, check out our newly formed website and our first post by clicking here.

© Lee-Anne Marie Kling 2022

Feature Painting: Tulip field, Canberra Floriade © L.M. Kling 2022

***

In the mid-nineteenth century, a village of Wends, on their way to Australia, mysteriously disappeared…

Who was responsible? How did they vanish?

Want to know more about the trials and tribulations of these missing people from Nineteenth Century Eastern Europe?

Click on the link below:

The Lost World of the Wends