Oops! Almost one week into Marion Art Group’s (my art group) exhibition at the local shopping centre, and I have failed to mention it. Been too busy writing, appraising hopeful writer’s works, and transcribing a friend’s biography of her mother who lived through the horrors of World War II. Plus burrowing away in the family history rabbit hole.

I have been pondering where my art genes have come from. No mention of renown artists in my ancestry. My dad was an artist with some potential, emphasis on potential as he channeled his talents more into music than art. My maternal grandfather, Sam Gross was an amazing photographer. But as a missionary pastor in Central Australia, he was discouraged from furthering his photographic endeavours as the mission board frowned on it and said he was spending too much money on camera equipment and film.

So, in light of my predecessor’s unrealised potential and the fact that I am still using the watercolour paints and brushes my dad left behind, I will share an afternoon that we spent painting in Central Australia in 1981.

Mount Hermannsburg

My father and I sat in the dry river bed of the Finke River painting Mt Hermannsburg which towered above the river gums and spinifex. We painted our muse on site; Dad painted in watercolour and I painted in acrylic.

After a couple of hours, Dad packed up his brushes and palette and returned to the town of Hermannsburg. I stayed, in the creative zone, dibbing and dabbing, the setting sun casting shadows over the river bed and a cool breeze pricking me with goose bumps on my bare arms.

I made the final touches as the sun sank below the horizon and I was called in for tea. I signed with my maiden name, naturally, as I was only 18.

Dad’s painting and mine sat side by side on our host’s piano where all who saw, admired our work. I kept walking past and gazing at my painting. Did I really do this? Wow! Did I really?

© Lee-Anne Marie Kling 2016; updated 2024

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